My work begins in uncertainty — not with answers, but with questions I can only approach through making. I work in layers, physically and emotionally, letting gestures accumulate until something true emerges. The process is deeply personal but intentionally open, inviting the viewer to sense rather than decipher, to feel rather than read.
Experimentation is a big part of my work. It is about identifying what sparks delight, joy, and excitement within me. Through this process, I uncover new possibilities that ignite a sense of wonder. Pushing boundaries, embracing unpredictability, and allowing materials to guide me are essential to my creative practice. Each experiment deepens my understanding of form, texture, and movement, keeping my work dynamic and alive. It is through this constant exploration that my artistic voice continues to evolve, shaped by curiosity and the thrill of discovery.
There’s a constant negotiation between intention and instinct in my practice — I follow where the work leads, often arriving at places I couldn’t have imagined at the start. What I seek is a sense of presence — when a painting holds together in its own logic, when form, texture, and rhythm begin to resonate. Over time, I’ve come to trust this way of working: uncertain, immersive, and fully awake.
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